Design Communication

Construct a critical practice to analyse, experiment and convey messages, meaning and experiences through a diverse range of media. This interdisciplinary course will enable you to produce a body of work tailored to your interests and motivations and position yourself in the creative and cultural industry.

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  • Starts:
    Sep 2026
  • Duration: 1 year
  • Mode:
    Full time
  • Fees:
    UK: £9,750 (2026/27) International: £18,500 (2026/27)

Why study this degree?

  1. Engage with emerging technologies and interdisciplinary methodologies to inform contemporary design practice
  2. Establish an experimental, critical and sustainable design approach informed by cultural, historical and political contexts
  3. Develop design projects grounded in community engagement, collaboration and meaningful audience interaction
  4. Analyse complex information and communicate insights effectively through advanced visual communication techniques
  5. Collaborate with industry professionals to gain practical experience and build valuable professional networks.

Expand and master your visual communication design skills

In this course, you’ll explore theoretical frameworks, creative techniques, and research methods to investigate a subject of your choice, transforming your findings into impactful visual narratives that engage diverse audiences.

Our MA Design Communication course will equip you with the knowledge, confidence, and professional skills to position services, systems, and need-driven design products creatively. You’ll develop your graphic communication design skills, exploring digital design tools, emerging technologies, and the value of design thinking in a competitive marketplace.

You will establish a critical design practice, create dynamic spaces, and apply design to address various needs. By synthesising creativity with business theory, you’ll boost your employability across multiple career paths.

Upon completing the course, you’ll have:

  • Practical design thinking skills to turn creative ideas into engaging assets
  • Business acumen to inspire audiences across all sectors
  • Confidence to drive change and influence decision-making at senior levels

Classes are Monday to Friday, between 9:00am and 9:00pm, with some evening sessions included.

The specifics

Entry requirements

Home

A lower second-class honours (a 2:2, or equivalent non-UK qualifications) or higher in a relevant subject, or an equivalent professional qualification in a related subject. You will also need to submit a copy of your Curriculum Vitae (CV)/Resume.

If you are applying directly from an undergraduate degree course without experience or professional practice, you must be able to demonstrate a good knowledge of your chosen subject area.

International

If you have international qualifications, please view our entry requirements per country. Along with your academic qualifications, you will also need to submit a copy of your Curriculum Vitae (CV)/Resume.

In order to be eligible for this course, you will need to be a competent speaker and writer of English. If you require a Student Visa you need to provide us with an IELTS or equivalent English language qualification, which demonstrates a minimum of 6.0 (with a minimum of 5.5 in each sub test) or CEFR Level B2 in each component. Please read the English Language requirements or contact [email protected] for more information.

Selection criteria

We welcome suitably-qualified applicants who are able to demonstrate a good level of skills in areas associated with this subject. To get a holistic view of your ability and aptitude to succeed on the course, we will also consider your enthusiasm and interest in the subject area, how you manage the creative process, previous study and your professional skill-set.

Applications are welcome from a wide range of backgrounds and experience including from students who may not necessarily possess formal academic qualifications. It is important that applicants can demonstrate an aptitude for learning and continued professional development through a research-led approach. 

Interview and portfolio requirements

Your portfolio can be accepted as a PDF uploaded to the applicant portal, or as a weblink. This should be a portfolio of work containing 6-8 final design solutions with accompanying research materials / sketches. We are looking for applicants that can demonstrate their creative thinking and problem-solving abilities as well as their technical skillsets within their work. Your portfolio must include only work that you have created and where any group projects are submitted you should identify your role in the project. Your portfolio should be a reflection of your journey thus far and also demonstrate your interests and your enthusiasm for your discipline.

There isn't a perfect recipe for a portfolio, but here's an outline of some key ingredients that can effectively showcase your work and interests.

The pivotal element is illustrating your thought process. Provide insights into the methodologies you employ when unpacking a brief and ideating a project. Include sketches, notes, and pictures depicting the making process. Subsequently, reveal the potential outcomes and demonstrate how the work fits into a broader context.

Feel free to incorporate a variety of pieces, whether personal or commercial, ideas yet to be fully developed or student projects. The crucial factor is only to include what you are genuinely proud of. Each piece should reflect your interests, skills, and ambitions, guiding the viewer towards understanding the direction in which you aspire to develop your practice.

Remember, your portfolio is a personal representation, so curate it with pieces that authentically resonate with you and effectively communicate your unique perspective and abilities. Please feel free to include your website, blog or Instagram page if you would like us to see a broader range of your work.

Student work

A presentation stand presenting design communication student work Authentic Exotic by Eugenie Chung. A table displaying jars of food items with a video and headphones. Next to a banner stand displaying the logo and packaging.

Authentic Exotic 01 by Eugenie Chung, 2022.

Authentic Exotic was a project looking at the exoticization and misrepresentation of Korean food in western countries. 

Final major project: A project that serves as a culmination of Eugenie’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills.  

Abstract cloud shapes on a black circle

Polaroids by Sara Carpiniello, 2021

The work is part of a module brief asking students to capture emotions through visual language.  

An example of design communication work by Sara Carpiniello. An open book with abstract disc-like shape spanning across the pages.

Aesthetic Empathy 01 by Sara Carpiniello, 2021

Final major project: A project that serves as a culmination of Sara’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

Example of design communication work by Sara Carpiniello

Aesthetic Empathy 02 by Sara Carpiniello, 2021

Final major project: A project that serves as a culmination of Sara’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

Example of design communication work by Shirley Hui. A list of numbers roughly aligned with diagonal curve across the page.

Convertible Time 01 by Shirley Hui 2022

How time is money and how money is time. How do we measure time?  

Final major project: A project that serves as a culmination of Shirley’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

A hand putting 50 pence piece into a slot on the top of an analogue clock.

Convertible Time 02 by Shirley Hui 2022

How time is money and how money is time. How do we measure time?  

Final major project: A project that serves as a culmination of Shirley’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

An orange with a "2.020 min" price tag on it.

Convertible Time 03 by Shirley Hui 2022

How time is money and how money is time. How do we measure time?  

Final major project: A project that serves as a culmination of Shirley’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

receipts scattered on the floor

Convertible Time 04 by Shirley Hui 2022

How time is money and how money is time. How do we measure time?  

Final major project: A project that serves as a culmination of Shirley’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

An example of design communication by Shirley Hui. A hand drawn mind map around the concept of time, the word "Time" is in the centre.

Convertible Time 05 by Shirley Hui 2022

How time is money and how money is time. How do we measure time?  

Final major project: A project that serves as a culmination of Shirley’s academic journey, encouraging innovation, self-expression, and a deep understanding of their chosen subject matter using design communication skills. 

 inside the design communication degree show. Students work is neatly lined up on display boards.

MA Design Communication show 2022

MA Design Communication final degree show at the Design District, London. the show ran over 3 days and over 200 people from creative industries attended. Including publishers, graphic design studios and design agencies.

Facilities available on this course

woman sat working at imac suite

iMac suite at Ravensbourne

iMac suite at Ravensbourne University - ideal for design students and computing students.

Find out more.

Student using the materials library

Materials library

The Ravensbourne materials library is curated by Material ConneXion, a business that introduces brands to the latest material innovations.

The materials scientists at Material ConneXion select innovative materials relevant to the courses at Ravensbourne and that reflect current trends in design and manufacturing.

Samples of these materials are then added to the library so students and staff can browse the physical collection for inspiration, material ideas and applications.

The library hosts 1,500 material samples and an interactive table for further research and access to the Material ConneXion database.

External visitor information

If you wish to come and see the materials library and have a short tour, please contact us to organise.

The materials library can be used by external students registered with the SCONUL access scheme.

Find out more.

Girl sitting in library

Library at Ravensbourne

The Ravensbourne University library has a large collection of print, online and multimedia resources available for staff and students to use.

Find out more.

Staff in the Kit Store

Kit Store at Ravensbourne

As a digital student, you'll need access to equipment relevant to your course that will support your learning.

The Kit Store provides a wide range of equipment that students can borrow to complete their projects. Staff can also borrow equipment to deliver their practical sessions. 

It houses a wide range of equipment from industry standard manufacturers, including cameras, audio, lighting, and more.

Staff at the Kit Store are trained in various relevant departments and are available to give advice on all the equipment within the store, to help you realise your project.

Find out more.

Interested in this course?

How to apply